Nationality: Czech

Romantic Czech

DREYSCHOCK, Alexander

Born in Žáky, Oct 16, 1818
Died in Venice, April 1, 1869

Dreyschock was a virtuoso pianist who debuted at 8 years of age and undertook many solo concert tours throughout Europe during his career. He also taught at the St. Petersburg Conservatory.
Dreyschock specialized in performing his own compositions.

“The man has no left hand! Here are two right hands!”
J.B. Cramer, upon hearing Dreyschock play in Paris ¹

Short biography

Pieces

Piano Concerto, Op. 137

Classical Czech

DUSSEK, Franz Xaver

Born František Xaver Dušek
Pronunciation

Born in Chotěborky, near Jaroměř, Bohemia, bap. Dec 8, 1731
Died in Prague, Feb 12, 1799

Biography from Artaria Editions

Pieces

Romantic Czech

DVOŘÁK, Antonín

Born in Nelahozeves, near Kralupy, Sept 8, 1841
Died in Prague, May 1, 1904

Short biography

Pieces

Late Romantic Czech

FOERSTER, Josef Bohuslav

Born in Prague, Dec 30, 1859
Died in Nový Vestec, nr Stará Boleslav, Bohemia, May 29, 1951

Josef Bohuslav Foerster was a composer, music critic, and educator. He was a contemporary of Leoš Janáček and Gustav Mahler.
- *Foerster’s last name is also spelled Förster
Foerster came from a musical family. His father (also named Josef) was an organist and choirmaster in the foremost Prague churches and served on the faculty at Prague Conservatory. His uncle Antonín was a pupil of Smetana as well as an organist, choirmaster, and conductor.
Foerster married soprano Berta Lautererová and moved to various cities around central Europe based on her singing engagements, including Hamburg and Vienna. He always took up prominent teaching positions wherever he landed, in addition to composing and writing for journals.
- In 1918, the couple returned to Prague. Foerster continued to teach at prominent institutions, such as the Prague Conservatory and the Charles Conservatory.
Despite having faded into the background among other Czech composers, Foerster was a highly respected figure during his lifetime and held several notable titles. From 1920-45, he was president of the Association of Czechoslovak Composers, Authors, and Music Publishers, and from 1931–9, he was president of the Czech Academy of Sciences and Art. In 1945, he was awarded the title of National Artist.
As a composer, Foerster was a traditionalist deeply loyal to the nationalist 19th-century vernacular. His extensive compositional oeuvre includes opera, cantatas, choral music, songs, orchestral music, chamber pieces, and more.²

Learn More

Short biography from Naxos
Short biography from Britannica

Pieces

Symphony No. 4 in c minor, “Easter Eve,” Op. 54

Romantic Czech

FUČIK, Julius

Born in Prague, July 18, 1872
Died in Berlin, Sept 25, 1916³

Short biography from Naxos

Pieces

Florentine March, Op. 214

Late Romantic Czech

JANÁČEK, Leoš

Born in Hukvaldy, Moravia, 3 July 1854
Died in Moravská Ostrava, 12 Aug 1928⁴

Pronunciation
[‘leoʃ jan’atʃɛk]
“LAY-osh ya-NA-check”
Listen

Biography from LeosJanacek.eu

Pieces

Jenufa

20th Century Czech

NOVÁK, Vítězslav

Born in Kamenice nad Lipou, Dec 5, 1870
Died in Skuteč, July 18, 1949

Vítězslav Novák studied under Antonín Dvořák at the Prague Conservatory. He eventually became a professor at the institution himself, influencing many future 20th Century Czech composers.
Novák’s music is known for its Czech nationalism and exploration of regional folk idioms.⁵
Sadly, Novák’s music is rarely heard today outside the Czech Republic despite the composer’s celebrity status during his lifetime.⁶

Biography

Pieces

Eternal Longing (O věčné touze)

Classical Czech

PUNTO, Giovanni

Born in Zehušice, nr Čáslav, Sept 28, 1746
Died in Prague, Feb 16, 1803

Jan Václav Stich (or Johann Wenzel Stich) was a Czech horn player, violinist, and composer who took on an Italian pseudonym, Giovanni Punto, as an adult.
- Born the son of a serf, Punto received music lessons during his upbringing and was even sent to Dresden for a period to study with A.J. Hampel. Upon returning to Bohemia, Punto served under his master, Count Thun, for four years before fleeing the estate and seeking better opportunities in the Holy Roman Empire (hence the name change).
Punto built a successful international career as a touring horn virtuoso. Several prominent names of the day composed works for Punto, including Mozart (Sinfonia concertante K. 297B) and Beethoven (Horn Sonata Op.17).

“Works written by and for him show that Punto was a master of quick arpeggios and stepwise passage work. Mozart’s high opinion (‘Punto bläst magnifique’), expressed in a letter of 1778, was shared by Beethoven, and virtually all contemporary writers referred to the vocal quality of his playing.”
Grove Music Online⁷

As a composer, Punto wrote works for horn to highlight his skills and virtuosity. He also regularly arranged works by other composers for his instrument (sometimes even publishing them under his own name…).
Fun/ morbid fact – at Punto’s funeral, Mozart’s Requiem was played at the graveside.⁸

Learn More
Biography from the International Horn Society

Pieces

20th Century Modernist Czech

SCHULHOFF, Erwin

Born in Prague, June 8, 1894
Died in Wülzburg, Aug 18, 1942

Erwin [pronounced “air-vin”] Schulhoff was a Jewish Czech composer and pianist of German descent.
- Schulhoff was a piano prodigy who, upon the recommendation of Dvořák, was encouraged to pursue a musical career. In his formal studies, Schulhoff encountered many established composers of the day and was inspired by everyone from Schumann and Brahms to Debussy and Scriabin. His overall training was varied and thorough, setting Schulhoff up for what should have been a long, fruitful career.
In 1914, Schulhoff was conscripted into the Austrian army, where he spent four years. The experience proved to be one of significant disillusionment for the composer, not only shifting his political sentiment (he soon after became a passionate socialist) but also shifting his musical style.
- Before WWI, Schulhoff wrote in a late romantic style. After his experience on the battlefront, he turned toward Expressionism, Dadaism, and neo-classical style, eventually embracing avant-garde.
  - Fun fact – Schulhoff was one of the first European composers to embrace Jazz.
- Schulhoff wrote many works for unusual combinations, such as Hot Sonata for saxophone and piano, Sonata Erotica for solo voice “imitating coital sighs and cries,” and a concertino for flute, viola, and double bass.
Schulhoff’s tragic demise played a large role in nearly erasing the composer’s music from history. Despite (unsuccessfully) attempting to emigrate to the Soviet Union, Schulhoff was arrested and imprisoned in 1941, eventually being deported to a concentration camp in Wülzburg, Bavaria, where he died only a few months later.⁹

Learn More
Biography via The OREL Foundation

Pieces

Romantic Czech

SMETANA, Bedřich

Born in Leitomischl, Bohemia [now Litomyšl, Czech Republic], 2 March 1824
Died in Prague, 12 May 1884¹⁰

Often described as “the father of Czech music,” Bedřich Smetana’s [pronunciation] music became synonymous with Czech national musical style in the years following his death. In the Czech Republic, he remains a musical legend.
- Fun fact – Since Bohemia was part of the Austrian Empire for a period of time in the 1800s, Smetana’s first language was German. He didn’t learn to speak Czech until adulthood.
As a composer, Smetana is best known for his operas and his cycle of six tone poems, Má vlast.¹¹
As a young emerging pianist and composer, Smetana idolized Liszt, to whom he dedicated his first published work, Six morceaux caractéristiques, Op. 1. Liszt would become a significant supporter of Smetana’s music.
While studying and composing abroad during the 1850s, Smetana was faced with the popular opinion that Czechs were incapable of creating music of their own. Such remarks fueled Smetana’s desire to devote himself to creating native Czech music.¹²

“Smetana stands forth as a musician of extraordinary imaginative and constructive power, and as a patriot of the genuinely noble ideal, not the pseudo blatant chauvinistic type. Like so many geniuses, Smetana starved in early life and never greatly prospered. Like Beethoven, he became deaf and like Schumann, he died in a lunatic asylum. Struggle, death and transfiguration – martyrdom and canonization; this is the typical fate of the true artist.”
Frederick Niecks¹³

Learn More
Biography from Deutsche Grammophon

Pieces

20th Century Late Romantic Czech

SUK, Josef

Born in Křečovice, Jan 4, 1874
Died in Benešov, nr Prague, May 29, 1935

Josef Suk was the child of a choirmaster/ schoolmaster, from whom he learned to play piano, violin, and organ. In 1885 (age 11), Suk entered the Prague Conservatory. He stayed on an extra year after graduation to study composition with Antonín Dvořák, becoming the composer’s favorite pupil.
- Fun fact: in 1898, Suk married Dvořák’s daughter, Otilie (Otilka).
- In 1922, Suk himself became a professor of composition at the Prague Conservatory.
As a composer, Suk was most at home with instrumental music. He was seen by many as Dvořák’s musical successor. His earlier works display qualities of sensuous late romanticism. Following the deaths of his father-in-law in 1904 and his wife in 1905, Suk’s music took a dramatic turn towards more complexity, introspection, and even polytonality.
Unlike many of his Czech predecessors, Suk almost never drew on folk music or literary sources for inspiration.
In addition to composition, Suk led a distinguished international career as a violinist in the Czech Quartet until he retired from performing in 1933.¹³