- Vaughan Williams wrote his Mass in g minor for four soloists and double choir between 1920-21. The mass was groundbreaking in its revival of England’s acapella tradition.
- Vaughan Williams wrote the piece in response to the revival of Byrd, Tallis, and the English polyphonic school at Westminster Cathedral.1 From a musical analysis standpoint, the piece both harks back to 16th-century polyphony as well as engages in 20th Century harmonic vocabulary.2
- Like his Pastoral Symphony, Mass in g minor was created shortly after the composer’s return from the battlefields of WWI and perhaps reflects the composer’s post-war search for consolation.
- Further linking the two works, the oscillations heard at the beginning of the “Sanctus” movement recall the Pastoral Symphony’s opening.3
- Vaughan Williams dedicated his mass to “Gustav Holst and the Whitsuntide Singers.”4
Sources
- Hugh Ottaway and Alain Frogley, “Vaughan Williams, Ralph,” Grove Music Online (2001), accessed September 15, 2022, https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000042507.
- Michael Kennedy, Essay in accompanying booklet, Vaughan Williams: Symphony No. 4 / Mass in G Minor /Six Choral Songs performed by the London Symphony Chorus conducted by Richard Hickox, CHAN 9984, 2022, compact disc.
- Ceri Owen, Essay in accompanying booklet, Vaughan Williams – Mass in G Minor performed by the Choir of St. John’s College, Cambridge conducted by Andrew Nethsingha, Signum Classics 541, 2018, compact disc.
- Ralph Vaughan Williams, Mass in G Minor (London: J. Curwen & Sons Ltd, 1922), 1.
Cut IDs
10626 10844