- In 1893, Tchaikovsky wrote his collection of Eighteen Pieces for Piano, Op. 72. This collection was Tchaikovsky’s last work for solo piano.
- Based on letters to acquaintances at the time of composition, Tchaikovsky wrote these piano miniatures to make some extra income as he was working on his sixth symphony.1
- Each piece within Op. 72 is dedicated to a different individual, a friend or colleague of the composer. You can view the full list of dedicatees here.
Eighteen Pieces:
- Impromptu
- Berceuse (Cradle song)
- Tendres reproches (Tender reproaches)
- Danse caractéristique (Charater dance)
- Méditation
- Mazurque pour danser (Mazurka for dancing)
- Polacca de concert (Concert Polonaise)
- Dialogue
- Un poco di Schumann (A bit of Schumann)
- Scherzo-fantaisie
- Valse-bluette (Waltz bagatelle)
- L’espiègle (Prankish girl)
- Echo rustique (Rustic echo)
- Chant élégiaque (Elegiac song)
- Un poco di Chopin (A bit of Chopin)
- Valse à cinq temps (Quintuple Waltz)
- Passé lointain (Distant past)
- Scene dansante: Invitation au trépak (Dance Scene: Invitation to Trepak)
Sources
- Tchaikovsky Research contributors, “Eighteen Pieces, Op. 72,” Tchaikovsky Research (2023), accessed September 30, 2025, https://en.tchaikovsky-research.net/index.php?title=Eighteen_Pieces,_Op._72&oldid=63587.
Cut IDs
27507 42582 42376 17009 42504 17887