Ein Heldenleben (A Hero’s Life), Op. 40

Composer: STRAUSS, Richard
  • Written between 1897-98, Strauss’ eighth tone poem, Ein Heldenleben (A Hero’s Life), comprises six continuous sections:
    1. The Hero
    2. The Hero’s Adversaries
    3. The Hero’s Companion
    4. The Hero’s Deeds of War
    5. The Hero’s Works of Peace
    6. The Hero’s Retreat from the World and Fulfillment
  • The first musical ideas for Ein Heldenleben manifested while Strauss was working on Don Quixote. Consequently, Strauss intended Don Quixote and Ein Heldenleben to be paired works and suggested they be performed together.
  • A note about the controversial reception of Ein Heldenleben from Grove:
    • Ein Heldenleben remains one of Strauss’s most controversial works, mainly because its surface elements have been overemphasized. Various critics see the work as a flagrant instance of Strauss’s artistic egotism, but a deeper interpretation reveals the issue of autobiography to be far more complex. Ein Heldenleben treats two important subjects familiar from earlier works: the Nietzschean struggle between the individual and his outer and inner worlds, and the profundity of domestic love.” 1
  • Fun fact: Strauss’ original title for the tone poem was “Held und Welt” (Hero and World).2

Sources

  1. Bryan Gilliam and Charles Youmans, “Strauss, Richard,” Grove Music Online (2001), accessed August 4, 2026,  https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000040117.
  2. Georg Predota, “Heroic Self – Richard Strauss: Ein Heldenleben, Op. 40 (1897/8),” Interlude (2014), accessed August 6, 2026, https://interlude.hk/heroic-selfrichard-strauss-ein-heldenleben-op-40-18978/.
  3. “Ein Heldenleben,” Sofia Philharmonic, accessed August 7, 2026, https://sofiaphilharmonic.com/en/works/richard-strauss-ein-heldenleben/.

Cut IDs

27349 19297 19299 41340 19298