- Written between 1892-99, Saint-Saëns’ Six Études, Op. 111 consists of six piano pieces, each dedicated to a well-known virtuoso and intended for the concert hall rather than for private study:
- Tierces majeures et mineures (Major and minor thirds)
- Dedicated to Arthur De Greef
- Traits chromatiques (Chromatic traits)
- Dedicated to Louis Livon
- Prélude et Fugue
- Dedicated to Charles Malherbe
- Les Cloches de Las Palmas (The bells of Las Palmas)
- Dedicated to Clotilde Kleeberg
- Tierces majeures chromatiques (Chromatic major thirds)
- Dedicated to Édouard Risler
- Toccata d’après le cinquième concerto (Toccata after the fifth concerto)
- Dedicated to Raoul Pugno1
- Tierces majeures et mineures (Major and minor thirds)
- Op. 111 was the composer’s second book of concert etudes (the first was Six Études, Op. 52).
- The themes for the sixth etude, “Toccata after the fifth concerto,” are taken from the third movement of Saint-Saëns’ Piano Concerto No. 5 in F Major, Op. 103 (as the title suggests). Listen for – references to ragtime, which was just starting to make its way across the Atlantic at the time.2
Sources
- “6 Études, Op.111 (Saint-Saëns, Camille),” IMSLP, accessed August 19, 2025, https://imslp.org/wiki/6_%C3%89tudes%2C_Op.111_(Saint-Sa%C3%ABns%2C_Camille).
- Piers Lane, Notes in accompanying booklet, Saint-Saëns: The Complete Études performed by Piers Lane, Hyperion 67037, 1998, compact disc.
Cut IDs
17971 26910