- Saint-Saëns composed this piece in 1920, the year before he died.1
- An “odelette” (“little song” or “little ode”) is a poetry form.2
- It looks like this term first appeared in the title of a “little ode” by Pierre de Ronsard in 1555.3
- The poet Henri de Régnier, a contemporary of Saint-Saëns, wrote many odelettes, and his work was very popular in France in the early 20th C.4
- By calling his piece an odelette, Saint-Saëns is drawing a parallel between music and literature (Romantic composers loved making musical versions of literary forms: for example, the “symphonic poem,” a term invented by Liszt).5
- By naming his work after a verse-form from the Renaissance, Saint-Saëns is also giving this piece an evocation of the past.6
Sources
- Horst A. Scholz, liner notes to Aperitif: A French Collection, Sharon Bezaly, Tapiola Sinfonietta, Jean-Jacques Kantorow, BIS 1359, CD, 2002.
- “odelet, n.”, OED Online (Oxford University Press: December 2019), accessed January 14, 2020, https://proxy.multcolib.org:2682/view/Entry/130421?redirectedFrom=odelet.
- Ibid.
- Amy Lowell, Six French Poets: Studies in Contemporary Literature(New York: MacMillan, 1915), 184.
- Hugh Macdonald, “Symphonic poem,” Grove Music Online (2001), accessed January 15, 2020, https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000027250.
- Horst A. Scholz, liner notes to Aperitif: A French Collection, Sharon Bezaly, Tapiola Sinfonietta, Jean-Jacques Kantorow, BIS 1359, CD, 2002.
Cut IDs
41837