- This piano work is No. 8 from Coleridge-Taylor’s 24 Negro Melodies, Op. 59/1. Coleridge-Taylor completed the work in 1905.1
- In the score, Coleridge-Taylor prefaces this piece with a melody transcription “from the collection of Henry E. Krehbiel” which is identified as “from the West Indies” (i.e., the Carribbean). The piece is based on this melody.2
- Coleridge-Taylor explored the bamboula dance genre again in 1910 in an orchestral piece, The Bamboula: Rhapsodic Dance, Op. 75.3
- To be aware of: According to the Wikipedia entry on the dance form bamboula, the word is used in French as an ethnic slur.
Sources
- Stephen Banfield and Jeremy Dibble, and Anya Laurence, “Coleridge-Taylor, Samuel,” Grove Music Online (2003), accessed January 14, 2022, https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-1002248993.
- Samuel Coleridge-Taylor, 24 Negro Melodies, Op. 59 (Boston: Ditson, 1905), 39.
- Banfield, Dibble, and Laurence, “Coleridge-Taylor, Samuel,” Grove Music Online.
Cut IDs
24371