- Coleridge-Taylor composed his set of Four Noveletten (for strings, tambourine, and triangle) in 1903.1
- Coleridge-Tayor used the German plural “Novelletten” (not “Novellettes”) on the work’s published title page, probably because the term “novellette” (as a musical genre) was coined by Robert Schumann in 1838 for his Op. 21 set of piano miniatures.2
- Incidentally, Coleridge-Taylor’s piece was published by Novello, the British publishing company founded by Vincent Novello – the father of Clara Novello, the namesake of Schumann’s Novelletten.3
- Coleridge-Taylor also released a version of this set for violin and piano.4
- Coleridge-Taylor dedicated this set to violinist and composer Ethel Barns. She performed the premiere of the violin and piano version of this work.5
Sources
- Stephen Banfield and Jeremy Dibble, and Anya Laurence, “Coleridge-Taylor, Samuel,” Grove Music Online (2003), accessed July 23, 2021, https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-1002248993.
- Peter F. Ostwald, Schumann: The Inner Voices of a Musical Genius (Boston: Northeastern University Press, 1985), 138.
- “4 Noveletten for String Orchestra, Op. 52 (Coleridge-Taylor, Samuel),” IMSLP, accessed July 29, 2021, https://imslp.org/wiki/4_Novelletten_for_String_Orchestra%2C_Op.52_(Coleridge-Taylor%2C_Samuel).
- Ibid.
- K. Dawn Grapes, “Noveletten, nos. 2, 3, and 4, for string orchestra,” Fort Collins Symphony (2021), accessed July 29, 2021, https://fcsymphony.org/program-notes/coleridge-taylor-novelletten/.
Cut IDs
21328