- Beethoven wrote this piece in 1797 and it premiered in Vienna in 1798.1
- Beethoven dedicated this piece to Countess Maria Wilhelmine von Thun.2 This Viennese aristocrat was an influential salon hostess.3
- The final movement of the trio is a set of variations on “Pria ch’io l’impegno,” (“Before I go to work”)4 from the 1797 opera L’amor marinaro ossia Il corsaro by Joseph Weigl. Weigl was Leopold II’s court composer, the protege and successor of Antonio Salieri.5
- Weigl was a pallbearer at Beethoven’s funeral, but though the two composers knew each other professionally, they were probably not close friends.6
Sources
- Douglas Johnson et al, “Beethoven, Ludwig van,” Grove Music Online (Oxford University Press, 2001), accessed September 23, 2021, https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000040026.
- Ibid.
- Sarah Goldsmith, “The Social Challenge: Northern and Central European Societies on the Eighteenth-Century Aristocratic Grand Tour,” in Beyond the Grand Tour: Northern Metropolises and Early Modern Travel Behaviour, ed. Gerrit Verhoeven, Rosemary Sweet, Sarah Goldsmith (UK: Routledge, 2017), ebook.
- Ludwig van Beethoven, Beethovens Werke: Vollständige, kritische durchgesehene, überall berechtige Ausgabe: Serie 11: Trios (Leipzig: Breitkopf und Härtel, 1864), 271.
- Rudolph Angermüller and Teresa Hrdlicka-Reichenberger, “Weigl family,” Grove Music Online (2001), accessed January 13, 2022, https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000030027.
- Peter Clive, Beethoven and His World: A Biographical Dictionary (UK: Oxford University Press, 2001), 391.
Cut IDs
11233 15499 16894 49503